Guardian - Cast Paper

$139.00

Width: 7 inches

Height: 15.25 inches

"Guardian: The Protector Dragon" is an awe-inspiring hand-painted cast paper art piece, nestled within a meticulously crafted, artist-designed 3D printed frame. Measuring 7x15.25 inches, this artwork is a captivating homage to the mythical guardians of ancient lore.

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Width: 7 inches

Height: 15.25 inches

"Guardian: The Protector Dragon" is an awe-inspiring hand-painted cast paper art piece, nestled within a meticulously crafted, artist-designed 3D printed frame. Measuring 7x15.25 inches, this artwork is a captivating homage to the mythical guardians of ancient lore.

Width: 7 inches

Height: 15.25 inches

"Guardian: The Protector Dragon" is an awe-inspiring hand-painted cast paper art piece, nestled within a meticulously crafted, artist-designed 3D printed frame. Measuring 7x15.25 inches, this artwork is a captivating homage to the mythical guardians of ancient lore.


This piece embodies the essence of the dragon as a steadfast protector, drawing from the rich tapestry of myth and legend. Just as dragons are often depicted as the guardians of portals to other realms, such as caves, "Guardian" serves as a symbolic gateway between realms of consciousness. It explores the liminal spaces between waking reality and the depths of the subconscious mind, inviting viewers to delve into realms both familiar and fantastical.

With intricate details and vibrant colors, the hand-painted cast paper art captures the majesty and power of the dragon, while the artist-designed 3D printed frame adds a contemporary twist, seamlessly blending tradition with innovation. "Guardian" stands as a testament to the enduring allure of mythical creatures and the timeless human fascination with the unknown.

Paper Casting

Paper casting is to me the perfect medium. It allows me to use almost every skill set. A typical piece begins as a drawing or two. Then I sculpt it in wax. This is a long refining process and often the image sculpted is far different from the drawing. Then I build a dam around the wax and pour a rubber mold directly off the surface. A casting is made by pressing the wet cotton pulp into the mold and extracting the water. Then I finish the surface.
While every piece that emerges from the mold is about the same, no two are painted the same. Maybe I would if I could, but the painting process is always in flux. I am always experimenting with ways of mixing colors or washes and hard edges or new pigments. I spend about 75% of my time with the painted finishes. Click here to see the process.




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