Pegasus - Cast Paper
🌟 Pegasus Hand-Painted Sculpture 🌟
✨ The legendary flying horse of Greek mythology!
This 8" diameter artwork, including its artist-designed 3D-printed frame, features a hand-painted cast paper sculpture of Pegasus. Known as a symbol of artistic inspiration, this stunning piece captures the beauty and majesty of the mythical flying horse.
🌟 Pegasus Hand-Painted Sculpture 🌟
✨ The legendary flying horse of Greek mythology!
This 8" diameter artwork, including its artist-designed 3D-printed frame, features a hand-painted cast paper sculpture of Pegasus. Known as a symbol of artistic inspiration, this stunning piece captures the beauty and majesty of the mythical flying horse.
🌟 Pegasus Hand-Painted Sculpture 🌟
✨ The legendary flying horse of Greek mythology!
This 8" diameter artwork, including its artist-designed 3D-printed frame, features a hand-painted cast paper sculpture of Pegasus. Known as a symbol of artistic inspiration, this stunning piece captures the beauty and majesty of the mythical flying horse.
🐴 Key Features:
➹ Hand-painted cast paper with unique dimension and beauty
➹ Mounted on a matching, artist-designed 3D-printed frame
➹ Frame is hand-painted to complement the sculpture
➹ Lightweight and easy to hang
🌟 Perfect for:
➹ Fantasy, mythology, and horse lovers
➹ Adding a touch of inspiration to your space
🎁 Celebrate the magic and elegance of Pegasus with this one-of-a-kind gift!
Paper Casting
Paper casting is to me the perfect medium. It allows me to use almost every skill set. A typical piece begins as a drawing or two. Then I sculpt it in wax. This is a long refining process and often the image sculpted is far different from the drawing. Then I build a dam around the wax and pour a rubber mold directly off the surface. A casting is made by pressing the wet cotton pulp into the mold and extracting the water. Then I finish the surface.
While every piece that emerges from the mold is about the same, no two are really painted the same. Maybe I would if I could, but the painting process is always in flux. I am always experimenting with ways of mixing colors or washes and hard edges or new pigments. I spend about 75% of my time with the painted finishes.
