Scotch on the Rocks - Cast Paper
"Scotch on the Rocks" is a captivating hand-painted cast paper art piece that transports viewers to the breathtaking landscapes of the Scottish Highland. Dominating the scene is a windswept Scots Pine, its resilient form stretching from the cliffs down to the sea below. Every detail of the tree's branches and the dynamic movement of the landscape is meticulously depicted, evoking the wildness and tranquility of this iconic region. Mounted on a hand-painted textured canvas, the artwork is framed with a sleek black frame, measuring 26" x 32". "Scotch on the Rocks" invites viewers to immerse themselves in the majestic scenery of the Scottish Highlands.
"Scotch on the Rocks" is a captivating hand-painted cast paper art piece that transports viewers to the breathtaking landscapes of the Scottish Highland. Dominating the scene is a windswept Scots Pine, its resilient form stretching from the cliffs down to the sea below. Every detail of the tree's branches and the dynamic movement of the landscape is meticulously depicted, evoking the wildness and tranquility of this iconic region. Mounted on a hand-painted textured canvas, the artwork is framed with a sleek black frame, measuring 26" x 32". "Scotch on the Rocks" invites viewers to immerse themselves in the majestic scenery of the Scottish Highlands.
"Scotch on the Rocks" is a captivating hand-painted cast paper art piece that transports viewers to the breathtaking landscapes of the Scottish Highland. Dominating the scene is a windswept Scots Pine, its resilient form stretching from the cliffs down to the sea below. Every detail of the tree's branches and the dynamic movement of the landscape is meticulously depicted, evoking the wildness and tranquility of this iconic region. Mounted on a hand-painted textured canvas, the artwork is framed with a sleek black frame, measuring 26" x 32". "Scotch on the Rocks" invites viewers to immerse themselves in the majestic scenery of the Scottish Highlands.
Paper Casting
Paper casting is to me the perfect medium. It allows me to use almost every skill set. A typical piece begins as a drawing or two. Then I sculpt it in wax. This is a long refining process and often the image sculpted is far different from the drawing. Then I build a dam around the wax and pour a rubber mold directly off the surface. A casting is made by pressing the wet cotton pulp into the mold and extracting the water. Then I finish the surface.
While every piece that emerges from the mold is about the same, no two are painted the same. Maybe I would if I could, but the painting process is always in flux. I am always experimenting with ways of mixing colors or washes and hard edges or new pigments. I spend about 75% of my time with the painted finishes. Click here to see the process.
