Gryphon - Cast Paper
Width: 8 inches
Height: 10 inches
"Gryphon" is a captivating hand-painted cast paper art piece that portrays the mythical creature with the body of a lion and the head and wings of an eagle. This legendary being, steeped in ancient folklore, is renowned for its majestic appearance and formidable presence. With an attitude of passant sinister, the gryphon strides gracefully to the right, exuding an air of regal authority.
Width: 8 inches
Height: 10 inches
"Gryphon" is a captivating hand-painted cast paper art piece that portrays the mythical creature with the body of a lion and the head and wings of an eagle. This legendary being, steeped in ancient folklore, is renowned for its majestic appearance and formidable presence. With an attitude of passant sinister, the gryphon strides gracefully to the right, exuding an air of regal authority.
Width: 8 inches
Height: 10 inches
"Gryphon" is a captivating hand-painted cast paper art piece that portrays the mythical creature with the body of a lion and the head and wings of an eagle. This legendary being, steeped in ancient folklore, is renowned for its majestic appearance and formidable presence. With an attitude of passant sinister, the gryphon strides gracefully to the right, exuding an air of regal authority.
Mounted on an 8x10" canvas, the artwork is framed by an artist-designed 3D printed frame, meticulously crafted and hand-painted to enhance its aesthetic appeal. As a creature said to build nests of gold, fiercely protecting their treasure, the gryphon symbolizes strength, guardianship, and nobility.
Throughout history, examples of gryphons can be found in almost every ancient culture, further cementing their status as enduring symbols of power and mystique. "Gryphon" invites viewers to delve into the rich tapestry of mythology while marveling at the timeless allure of this legendary creature.
Paper Casting
Paper casting is to me the perfect medium. It allows me to use almost every skill set. A typical piece begins as a drawing or two. Then I sculpt it in wax. This is a long refining process and often the image sculpted is far different from the drawing. Then I build a dam around the wax and pour a rubber mold directly off the surface. A casting is made by pressing the wet cotton pulp into the mold and extracting the water. Then I finish the surface.
While every piece that emerges from the mold is about the same, no two are painted the same. Maybe I would if I could, but the painting process is always in flux. I am always experimenting with ways of mixing colors or washes and hard edges or new pigments. I spend about 75% of my time with the painted finishes. Click here to see the process.
